For me, textiles are more than functional materials; they are systems of connection. I see the structure of textiles as closely related to the way we attempt to understand life itself — through the intertwining of separate elements that together form a larger whole. I explore how patterns and structures found in nature can be translated into tactile forms and material experiments. Roots, fungi, veins, waves, erosion, and growth patterns continuously inspire me because they reveal that no form of life exists in isolation. Nature is built through networks, repetition, rhythm, and interdependence — principles that are also fundamental within textile construction.
During the third year of my studies at Academie Artemis, I had the opportunity to intern with textile artist Nadie Borggreve. Working closely alongside her for six months gave me valuable insight into the daily practice of a textile artist and deepened my appreciation for craftsmanship, materiality, and the tactile qualities of wool.
During the internship, I assisted in dyeing large quantities of secondhand wool and contributed to the development of a large-scale tapestry that we worked on over the course of four months. Through this process, I became increasingly fascinated by the technical and chemical aspects of dyeing — exploring how fibers react to pigments, temperature, and different treatments, and how these processes can fundamentally transform a material. Alongside this collaborative work, I further developed my own knitting practice by creating hand-knitted bonnets that were naturally dyed and later exhibited and sold at W139.
This experience strengthened both my technical understanding of textiles and my growing interest in fiber development, reclaimed materials, and experimental textile processes.
